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Although creating your face in that manner would be a bit cumbersome, it wouldn t be impossible until your character s face had to move around the screen as an integrated whole Making the mouth and eyes loop while the whole face moved around complex paths for extended periods of time would quickly become impractical, especially if the face were only one part of a larger environment Now imagine that you could make your character s face by creating two whole separate movies, one for the eyes and one for the mouth Could you then place those movies as self-contained animating objects on the timeline of your main movie, just like a graphic or a button Well, you can that s what Movie Clips are all about.

This prevents a phenomenon known as glare, which can happen when both endpoints happen to pick the same call reference value for an incoming and outgoing call The call reference number is essentially how the frame relay network identifies a connection internally, a mechanism that works beyond the DLCI number Like DLCIs, call reference values are of local significance only and there can be many calls with the same call reference value around the network, but only one of a given value on a given UNI At first glance, it might not be apparent why a number other than the DLCI would be helpful to the network when SVCs are supported on a frame relay network After all, PVCs work just fine with only the DLCI to go on.

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Sub OverlySimplifiedUnprotectRoutine() Dim k1, k2, k3 As Integer n As Integer For k1 = 48 To 49 For k2 = 48 To 49 For k3 = 48 To 49 For n = 32 To 126 ActiveSheet.Unprotect _ Chr(k1) & Chr(k2) & Chr(k3) & Chr(n) If ActiveSheet.ProtectContents = False Then MsgBox Found the password: & _ Chr(k1) & Chr(k2) & Chr(k3) & Chr(n) Exit Sub End If Next: Next: Next: Next End Sub

The key here is that SVCs come and go, and each SVC needs a DLCI only when it is established and the connection is being billed There are less than a thousand DLCIs that can be used for SVCs, which sounds like a lot, but really isn t If a frame relay SVC is used as much as a typical Web session (or for a typical Web session), about 30 minutes or so, then 50 users will establish, use, then release, 100 connections per hour across a frame relay UNI Over a 10-hour work day, that works out to 1000 SVC connections, more than could be tracked by expecting the network to give each one a distinct DLCI when the connection is established.

In addition to the essential mundane capabilities to move, copy, delete, resize, and scale objects, InDesign provides tools and several controls in the Control panel and Transform panel that let you perform more dramatic effects on objects, such as rotation, mirroring, shearing (which distorts a shape by applying a combination of rotation and slant), and flipping. For all these tools, keep these tips in mind:

Admittedly so, this example seems high, but the point is that at some level of SVC activity, billing by DLCI alone could cause confusion on the part of the network So the call reference system, with more than 32,000 distinct values to use (15 bits), gives the frame relay service provider a greater range to assign and track DLCIs internally to reference SVC calls and bill users properly An SVC will have different call reference values on each UNI, however, and the standards do not specify exactly how a frame relay network could or should use these call reference values other than to say that call reference values are temporary identifiers of SVCs The internal use of the call reference values to track SVCs is up to the individual hardware and software vendors, and service providers The last octet of the five-octet signaling message header shown in Figure 5.

The resulting bubbles sprayed from the Symbol Sprayer tool after some adjustment from the Symbol Sizer tool 7. Using the other Symbolism tools, change the location, tint, and transparency of the bubbles to give them a more realistic look. For more on using symbols and the tools related to them, see 5.

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